The Tamron 20-40mm Di III VXD is a wide angle zoom lens with a fixed aperture of f2.8. This is a full frame, E-mount lens so I am using for this portrait photoshoot on the Sony A7IV. Watch my review video below to see unedited, straight out of camera photos at 100% crop. Throughout the video I share comparison images with lenses of similar focal ranges. These comparisons include the Samyang 35mm f1.4 mkII, Sigma 45mm f2.8 DG DN, Sony GM 24-70mm f2.8 mkII and Sigma 35mm f2 DG DN.
model laura
makeup lidija j
video dan @ i make films
All photos edited with my Aspen Lightroom Preset Pack!
TAMRON 20-40MM F2.8 LENS BUILD
Considering it's focal length and aperture, this lens very small and light-weight lens at 365 grams. This lens features a zoom ring, a focus ring and a waterproof USBc port. You can use the USBc port to perform firmware updates and customise certain functions of Tamron lenses. There are 2 customisation options for the Tamron 20-40mm f2.8 Di III VXD. You have the option of changing the rotation direction of the focus ring. You can also change the manual focus method between linear or non-linear. This Tamron 20-40mm has a filter thread of 67mm and has weather sealing.
TAMRON 20-40MM F2.8 PERFORMANCE + IMAGE QUALITY
The images produced from this 20-40mm are sharp and consistent throughout all focal lengths. Skin texture looks flattering with this lens on the Sony A7IV. The colours straight out of camera look very neutral, a little on the cooler side. One of the first things I noticed when I started shooting with this lens is how fast it is to focus. I found Eye AF is reliable at all focal lengths and was extremely sticky on Laura's eyes.
This Tamron 20-40mm starts at an extremely wide focal length for portrait photography. Regardless, I found it produced flattering results with minimal distortion. This lens will be popular for travel, landscape and street photography. However, you are able to achieve beautiful results for portrait photography as well. At the longer focal length, you are able to create a good amount of background to foreground separation. Watch my review video above to see the exact focal length all these images were taken on.
TAMRON 20-40MM F2.8 BOKEH
The bokeh of this lens is circular from the centre of the frame all the way towards the edges throughout the entire focal range. In the photos from our portrait session, the bokeh looks textured - but this is likely because of the location. I took images on a different day and you can see the bokeh is quite clean. I have a sample gallery sharing examples of sharpness and image quality at every focal length, bokeh, chromatic aberration and lens flare you can download. These are high resolution JPG files from the Sony A7IV - please find a download link at the bottom of my blog post.
TAMRON 20-40MM F2.8 MACRO PHOTOGRAPHY
Not only is this is a fast, wide angle zoom - you can also use this lens for macro photography. At 20mm the close focus distance is 17cm which would give you a maximum ratio of 1:3.8. And at 40mm the minimum object distance is 29cm which gives you a maximum ratio of 1:5.1. So this lens really is extremely versatile.
TAMRON 20-40MM F2.8 VIDEO
Watch my review video above to see all video examples of the Tamron 20-40mm f2.8 on the Sony A7sIII. All footage is filmed in 4K 50p and I share both unedited and edited clips. I think this lens is going to make a fantastic option for video. I share what it looks like vlogging on the Tamron 20-40mm on the Sony A7IV.
TAMRON 20-40MM F2.8 CHROMATIC ABERRATION
This lens handles chromatic aberration extremely well. We only had a short window of sun on the day of our portrait session, but I made sure to take backlit photos while I had the opportunity! Around the hair where the sun is hitting is usually a prime spot for Chromatic Aberration to appear. You can't see any in the portraits I took of Laura. I did manage to capture chromatic aberration on a different day, I've included an example in the downloadable sample gallery.
TAMRON 20-40MM F2.8 LENS FLARE
The Tamron 20-40mm Di III VXD produces a medium sized lens flare. During out portrait photoshoot the lens flare appeared quite small. However, it kept popping up in inconvenient areas of my photos such as right across Laura's face. I've included more lens flare examples at different focal lengths in the sample gallery!
All photos edited with my Aspen Lightroom Preset Pack!
Please find a download link to the Tamron 20-40mm f2.8 sample gallery here! I have labelled each photo in case you don’t have software to see the metadata. I have included photos of the same location at all the main focal lengths so you can see the sharpness and image quality. I’ve included bokeh examples at each focal length, chromatic aberration and lens flare examples too. Please leave a comment letting me know what you think if you download this sample gallery. If you enjoyed this review, you might want to check out my review of the Tamron 28-75mm f2.8 G2!
The 105mm focal length is really interesting to me and I personally love what it looks like. For this photoshoot, I knew I wanted a really dreamy look to the photos so I organised this photoshoot for the late afternoon so we could have that nice, soft sun for our lighting. I also chose this location so we can capture as much bokeh as possible!
If you’re loking to break out of a creative rut or take your portrait photography to the next level, in this post, I’m sharing 20 unique and inspiring portrait photography ideas. These ideas will help you experiment with new techniques, fresh concepts and different ways of capturing your subject. Whether you’re shooting with natural light, in a home studio, or out on location, these ideas are designed to spark creativity and push you beyond the usual poses and backdrops — perfect for photographers of all levels looking to grow their style and portfolio.
The Olympus AF-1 Twin features a dual lens system so that you can switch between a 35mm wide-angle lens and a 70mm telephoto lens at the touch of a button - essentially like phone cameras except well, that it shoots 35mm film. Surely it inspired the iPhone camera system right?
This has got to be one of the cheapest autofocus lenses available for Canon DSLR cameras, I picked up mine used for about $30 USD. The Canon EF 50mm f/1.8 STM is a compact and affordable prime lens offering a wide aperture for low-light shooting and creative depth of field control aka bokeh! This is a great lens for beginners and gives a very budget friendly entry into DSLR photography. These are the photos I captured with it.
The Nikon NIKKOR Z 135mm f1.8 S Plena is a high-performance medium-telephoto prime lens designed for Nikon's Z mount mirrorless cameras. This 135mm f/1.8 S Plena Lens produces high quality images with beautiful clarity and sharpness.
The Sony A7RIV is a full frame, 61 megapixel camera for stills and video. The Sony A7RIV weights 665g and shares the same sensor as the newer A7RV. The Sony FE 135mm f1.8 GM is known for its exceptional sharpness, fast autofocus, and beautiful bokeh, making it a favourite among portrait, wedding and event photographers, as well as those who shoot video or need a fast telephoto prime.
During this photoshoot, I’m using the Sony A7IV paired with the Samyang 24-70mm f2.8 zoom lens. This zoom lens gives me a lot of flexibility while shooting as it allows me to capture both wide and tight compositions without changing lenses. This is especially helpful is fast paced environments or when taking photos on a time crunch. While taking portraits, I’m also sharing a few of my go to composition tips for working with a standard zoom like this.
I spent a morning doing landscape photography around Lake Bled in Slovenia using the Sony A7IV with the GM 35mm f1.4 lens.
The Sony G 24-50mm f2.8 is a small and lightweight standard zoom lens for Sony E mount. It weighs 440 grams and paired with it’s focal range, makes this is a great all-rounder lens for photography and videography.
In this video, I want to share with you reasons to help you decide wether you should be upgrading your camera body or your lens and which one to do first. I’ll walk you through the key factors to consider when deciding between each option.
For this portrait photoshoot, I am making use of the Sony A6600 camera body and the Sony 35mm f1.8 lens. The Sony A6600 is a crop-frame mirrorless camera in Sony’s Alpha series. It features a 24.2-megapixel APS-C sensor that delivers images with excellent detail.
For this portrait session, I am using the Zeiss 50mm f1.4 on the Sony A7 IV, capturing backlit images on the beach during golden hour. The combination of the lens’s wide aperture and the warm, soft light of the setting sun helped create intimate, glowing portraits with beautiful light falloff and natural skin tones.
The Sony 28mm f2 is a wide-angle prime lens designed for Sony’s full-frame E-mount cameras. I believe it’s an underrated lens from Sony as it’s able to deliver high quality results at a relatively cheap price point for a native lens.
I am comparing the Zeiss 50mm f1.4 vs Zeiss 55mm f1.8 at a real-world portrait photoshoot. I share various different side by side photo comparisons at 100% crop, so you can see all the details.
During this photoshoot, I share my go-to tips for shooting portraits with a 24mm prime lens. I take you behind the scenes of a moody blue hour shoot with Serena using the Sony 24mm f1.4 GM on the full frame Sony A7RIV.
The Sony 50mm f1.2 GM is a full-frame E-mount lens with an f1.2 maximum aperture. The Zeiss 50mm f1.4 is also a full-frame E-mount lens with an f1.4 maximum aperture. Both lenses are designed for shallow depth of field and low-light performance, but one is significantly more expensive than the other.
For this portrait photoshoot I am using the Fujifilm X-T4 paired with two of my favorite prime lenses: the Fujinon XF 16mm f/1.4 R WR and XF 23mm f/1.4 R LM WR.
I captured these photos of Megan Emmett for the Candice Lee Femme Collection. You can see more of Candice Lee’s bridal gowns and hair styling work here.
Today I am sharing a set of photos captured during blue hour. For this portrait photography session, I am using the Sony A7RIV with the GM 85mm f1.4 lens.
This set of photos is a portrait photoshoot I did on the streets of Sydney using the Canon 5D mkIV + Canon EF 24-70mm f2.8 lens.
The A6700 is an APS-C hybrid camera body with a 26 megapixel backside illuminated sensor. This camera features the new AI autofocus system first introduced by the A7RV. This means the A6700 has real time recognition autofocus since it features an AI processing unit just like the A7RV. It's great to see this new AF tech in an APS-C body especially considering price point of the camera.
The Nikon Z8 is a 46 megapixel full frame camera, featuring a fully electronic shutter. During this portrait photoshoot with the Z8, I am using 2 lenses. The Nikkor Z 35mm f1.8 S and Nikkor Z 85mm f1.2 S. Watch my behind the scenes video to see the SOOC unedited photo at 100% crop. The photos in this blog post are my final, edited version of the images from the Nikon Z8.
Should you use a Mist filter for your portrait photography? During this portrait photoshoot, I take side by side photos using a Pro-Mist Filter vs not using a filter. I organised this portrait session with Wiktoria while I was travelling through Poznan, Poland in the summer.
This blog post includes some of my favourite photos I took during my time in Japan with the S5II. If you want to hear my complete thoughts and review of the S5II capabilities for photo and video, you can watch my review video here.
In November, I was invited to Japan by LUMIX to attend the LUMIX Global Summit for the announcement of the new LUMIX S5II. Paired with the new camera body and an array of lenses, Dan and I took to the streets of Tokyo, Japan to film our review video of the camera body.
In November, I was invited to Tokyo, Japan by LUMIX to attend the LUMIX Global Summit. They didn't tell me what was going to be announced, but I was very excited to find out because it sounded like it was going to be something big. On the morning of the event, I met Pav and we went for a little photo walk around the streets of our hotel. For this trip, I decided to bring the LUMIX S5 with me to test it out for photo and video.
In November, I was invited to Japan by LUMIX to attend the LUMIX Global Summit for the announcement of something new. I left Sydney with Dan, Aaron and Simon in the evening and we landed in Toyko, Japan the next morning. We were all a little tired from the overnight flight, but we decided to head out and explore Tokyo since we had a free day before the event.
The Fujifilm X-S20 is a hybrid mirrorless camera body with a 26.1 megapixel APSC sensor. Like the X-S10, the X-S20 embodies a simpler body design without the dedicated shutter and ISO dial you'll find on other Fujifilm bodies such as X-T series. I also use this camera for a portrait photoshoot and share unedited, straight out of camera images at 100% crop.
The Google Pixel 7a is Google's latest mid-range phone featuring 2 cameras. I'm taking the camera's out for a hands-on review in real world to see how they perform. By taking portraits and cityscapes I will share with you unedited and edited samples of the 7a Ultrawide Camera, Wide Camera and 2x Zoom. I also share video samples of the Pixel 7a with both the rear and front cameras, plus share a sample of the microphone quality.